Tuesday, November 30, 2010

Audience of One



I'm no good at telling stories.

I give everyone the cliff notes because I'm bad at punch lines.

Stories get told to me. They find me, floating around like live music through your floorboard late at night. Weird voices live in my ears, strange ghosts walk through me, reality splits in two; what I'm living and what I can use later.

I hear conversations in black and white font. Things spill out of his mouth and I can't even see anymore. I read life as it happens.

His words crawl the walls in Times New Roman.

"But what's the plot?"

I wish it was that controlled. I don't know the Rising Force. I don't understand the Climax. What's Resolution? Have you ever had one?

"But, what's the hook?"

I don't know how to explain that to you. Just trust me when I say the hook's in me, dug deep in my back.

I'm more tender by the second.

Attachment Theory - Black Sheep a Novel


I open my mouth to say something more but she’s evaporated.

People, alive and dead, come and go, whenever they please. It’s a phenomenon that taken over as I’ve gotten older. My past blends into my present. There is no separation between then and now. It’s crowded in here.

In my younger and more vulnerable years my father gave me some advice. It’s been turning over in my mind ever since. He told me, “time rushes towards you like your wife when she’s told you she’s pregnant. Terrified, expectant and saddled with growing responsibility.” I thought life was like watching the baby grow, monitoring her stomach expanding every second. Tick, tick, tock. One moment after another, after another, after another, like pearls on a strand.

We really are sold a lot of lies in this part of the physical universe.

Once it happened, my wife, the third one, Laura, would visit me pregnant whenever she wanted to break my heart.

“Dad, who are you talking to?”

My daughter is here. No, actually here. She’s let herself in. She likes checking on me.

“No one.”

“I heard you talking to someone. Who do you see?”

“Stop treating me like I’m losing my mind.”

She looks at me. She has spent her young life concerned, which is probably my fault. Or maybe her mother’s, I know they are close. I can smell the fear around her. Men watch her as she walks and have since she was very young. She is frightened of the attention, shrinking under their gaze.

Last year, I told her that people come to visit me. I shouldn’t have. It was a moment of weakness, born of living in the past more often than before. I guess I thought that maybe people came to visit her, too.

They don’t.

She touches my arm. A blue surrounds her and has since the moment she was born. I love blue. When her blue is near me I feel safe. I don’t know why. It has always been difficult for me to trace the genealogy of feeling. Where is anything born, if everything that’s happened exists before you at once?

Five minutes later, Marla leaves quickly.I am very tall, and I have to lean down to embrace her. For a moment, I see her mother in her eyes. She left quickly, too.

When I head back to the kitchen, I see Marla as a four year old, hiding in the corner, laughing. I love children. They are much easier than adults.

“Hi, Daddy.”

“What a wonderful surprise!”

“Sorry for hiding. I miss you.”

Don’t envy me. Just because my memories are just three-dimensional doesn’t mean I get to choose the pace at which life happens. Death comes fast or it comes slow. Time will, one day, end it.

Frank, by the way. My name is Frank.

...

The Oakley family was accustomed to Frank performing during mealtimes. Some nights, he literally sang for his supper.

“You need to sit down, Frank. Listen to your father.” Catherine, his mother, forty, was old for a mother. She was overweight and came from money. No matter how she tried to hide it, she was charmed by Frank, even if looking after him meant she had to vacuum with one hand on the machine, one hand gripping the collar of his shirt.

At night, as she would tuck Frank into bed, she whispered in his ear, “You’re a terror, you know that?”

He’d nod.

“But that’s why you’re my favourite. That’s the reason I fell in love with your father. Women are always attracted to terror. Never forget that.”

...

"I can see time!" yelled Frank.

There was a loud moan from the other side of the table.

The oldest Oakley son, John, after his father, had cerebral palsy. He was difficult. It was Paul and Frank’s job to take him for his daily walk after dinner. He was getting restless and wanted to go on his walk now.

Frank took that to mean that John believed what he was saying. His oldest brother saw, like him, as plain as the nose on his face, that he could read time like a book.

As Frank grew, he learned to keep it between himself and his oldest brother. Just because he heard the future, first as a voice that was not his own and then saw it, painted like murals in the sky, didn’t mean he could tell people. He was sentenced to a life of lonely secrets, guarded by one sick brother.

“How did John get sick?” Frank asked Paul once, when he was about four. Paul was eight.

“Dad was painting his room and left him alone. He was about two and he crawled to the paint and drank it.”

“Really?”

“Yeah.”

“Poor Pops.”

“Yeah.”

It was the one moment in Frank’s memory that Paul had not made him feel stupid.

There was some upsides to having a sick brother. They were the first family on the block to get a TV. John spent his days inside, not moving, watching three channels in black and white.

“You can’t predict the future, you just got lucky,” said Paul.

“Our big brother believes me,” Frank whispered.

“My son, the storyteller. You can’t make any money doing that,” said John.

That night, Frank stayed up in bed, under his covers, writing a story about an Indian who killed people and let the world know by releasing smoke signals above the town he lived in. They acted as a warning of what was to come, making the murderer sympathetic.

Frank believed you could do anything, so long as people could sympathize.

He read it to his mother the next morning.

“That’s beautiful,” she told him.

At that time, the strongest influence on his life and work was whomever he loved.

Monday, November 29, 2010


"Why do you move around so much?"

My aunt Rafy was my Mom's best friend. She was one of those surrogate aunts that ends up being of more significance than most of your family. She has wild red hair and remembers things I forget.

"I never feel like I have a choice. He lived there so I had to visit. A movie shot there so I had to follow. Opportunities were... I don't know, I don't really have a choice."

"Do you feel like it's a way to avoid being committed? To anything?"

Now, that conversation echoes. I want to stay still.

Sunday, November 28, 2010

Genes Repeat



She rolled into Nazareth and was feeling about a half past dead.

“I find her very tragic,” she told me.

“What was she like when she was young?”

“We were close. Very, very close. That’s hard to believe now, isn’t it?”

“What else was she like?”

“She was so smart. She was a great actress actress. Hard, hard worker. She would get up in the morning and work, work, work. You two are a lot alike in that respect. She didn’t drink much, but when she did, she got drunk. Also like you."

"And what else?"

"She was beautiful but she tried to look bad. She would wear headscarves and glasses and no make up. Not when she was on stage, but in real life. She was a militant feminist. Everyone was then but she was always pretty fucked up with men. She was book smart.”

“When did she become like she is now?”

“Like all illnesses, it was progressive.”

Saturday, November 27, 2010

"We'll Meet On Edges Soon," said I.



Things change.

In society today, images have replaced words. We remember things with a picture, not a sentence. Torn pieces of paper, taped up on some wall that exists in our stomach. Flash. His face in the morning. Flash. My hand on his. Flash. The way he moves in the dark.

At first, I'd always wonder if I was doing okay. I watched myself, watching him, watching me. All the pictures molded together. They'd play in my head like a movie.

"Don't fuck this up," a voice said.

The pictures were close-up, but slowly became wider. The movies left, frame by frame, replaced by infrequent flashes in a big, white place. Lying next to him, I sink some place between dimensions. There's a lot of room. There's quiet.

Once an image exists, etched inside you, it never changes.

Your understanding of the people in the picture does.

Tuesday, November 23, 2010



As they grew, Caroline and Oliver spent every second together, no matter how anyone tried to keep them apart.

“You have a strange imagination.”

They spent hours, days, weeks, months in bed. Oliver had wondered if they tallied up all the time they spent lying in bed it would equal years of his life. One summer, he was sure they got bedsores.

“I do?” he asked.

“Yes. Whenever I speak to you in made up languages, you know how to speak back. And I get the feeling you are using the past tense and future perfect.”

He had no idea what she meant.

“Are you ready to have sex yet?”

They were fourteen.

“Are you ready to be that intimate?” she asked.

“What do you mean?”

“You’re always asking me what I mean.”

“You’re never telling me.”

Her face changed a lot and sometimes the way she looked at him made him think they were strangers.

“I guess...sometimes I worry about being so close to you.”

“Why?”

“Do you think that being close to people slows you down?”

“No. I think being close to you is nice.”

“I know, it is nice. Do you ever think it’s dangerous?”

“I still don’t understand what you mean.”

“You’re right. Being close to people is the point.”

He held her because he was scared she might not want him to. Then he kissed her until his lips were too sore to talk. A hard-on will make you do strange things.

The next day, she let him make love to her, only, she wasn’t really there.

Monday, November 22, 2010



From the moment she was born, Caroline had a racing heart. It didn’t matter if she was lying down for hours and not moving, her heart banged against her ribcage and there was nothing she could do to fix it. Her heart was always three steps ahead of her; telling her to hurry up, to not miss anything, to keep going. She worried that one day, the machine inside her chest was destined to overheat.

For as long as Caroline loved Oliver, he could hear her heartbeat, strong and steady, like his own. He heard her heart marching on in his ears, with his two steps behind.

He got used to hearing the world in double-time.

...

When they were ten, Caroline and Oliver sat in a tree.

“What do you want to be when you grow up?” she asked him. She always asked him that.

“I don’t know. I don’t really think about when I grow up.”

“Yes you do. Tell me what you want to be.”

“A hockey player,” he lied.

“No, you don’t.”

“I don’t know.”

“You don’t know?”

“Why do you always bug me with this stuff?

“Because I saw this bird yesterday. He was outside my window and he sang so loud and so clear. He was singing about my life, about what I can be.”

“No he wasn’t.”

“Yes. He was. Trust me, he was. I know it.”

Oliver put his hand on her thigh.

“My heart beat’s slowing down.”

“I know. I hear it slowing down now.”

“Did you know I’m only happy with you?”

“Yeah, why?”

“Because you don’t worry that much. You are like a blanket of don’t worry.”

“Why do you worry so much?”

“Sometimes I think that I’m just too young and just too smart. That makes me the best candidate for a broken heart.”

People that fall in love as children are damned. Once you’ve been together like that, you are never really apart.